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Francisco Goya

1,220 works

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Sepia etching of a woman balancing two chairs on her head beside a seated woman, with laughing onlookers behind.

They've Already Got a Seat (i.e. bottom), plate 26 from Los Caprichos

1797/99

Etching of a woman in a black mantilla beside a leaning man, with small dogs at her feet and figures behind them.

Which of Them is the More Overcome?, plate 27 from Los Caprichos

1797/99

Etching of two cloaked figures, one leaning on a cane and one with a hand raised to her face, with the caption Chitón.

Hush, plate 28 from Los Caprichos

1797/99

Brown etching of an elderly man reading while two figures behind and beside him hold books, from Goya's Los Caprichos.

That certainly is being able to read, plate 29 from Los Caprichos

1797/99

Etching of a hunched old man clutching coins while grinning men in a top hat watch him, with the caption Porqué esconderlos?

Why Hide Them?, plate 30 from Los Caprichos

1797/99

Sepia print of a seated woman in white dress, head bowed, in a dim room with a small window of light above a doorway.

Because She Was Susceptible, plate 32 from Los Caprichos

1797/99

Etching of an elegant man in a wig standing over two bowing figures, with bottles on shelves behind, plate 33 from Los Capric

To the Count Palatine or Count of the Palate, plate 33 from Los Caprichos

1797/99

Etching of a seated woman in a dark room with sleeping hooded figures below a barred window, by Goya.

Sleep Overcomes Them, plate 34 from Los Caprichos

1797/99

Brown etching of a woman shaving a seated man in a chair while another woman watches from behind, in a shadowed interior.

She Fleeces him, plate 35 from Los Caprichos

1797/99

Etching of a woman in a pale dress leaning over a shadowy crouched figure against a dark sky, titled Mala noche.

A Bad Night, plate 36 from Los Caprichos

1797/99

Etching of a donkey-headed figure with a magnifying glass and a dog-headed figure reading letters, with animal heads behind t

Might not the Pupil Know More?, plate 37 from Los Caprichos

1797/99

Sepia etching of a monkey playing guitar while a donkey sits listening and two figures look on from behind.

Bravo!, plate 38 from Los Caprichos

1797/99

Etching of a man with a donkey's head reading a book beside an inkwell and quill, numbered plate 39.

And So Was His Grandfather, plate 39 from Los Caprichos

1797/99

Etching of a donkey-headed man leaning over a sick figure in bed, with shadowy figures behind a curtain.

Of what ill will he die?, plate 40 from Los Caprichos

1797-98, published 1799

Sepia etching of a donkey seated beside an easel while a monkey paints at the canvas, plate 41 of Goya's Los Caprichos.

Neither more nor less, plate 41 from Los Caprichos

1797/99

Etching of two men straining under two donkeys, with the caption Tú que no puedes below the image.

Thou Who Canst Not, plate 42 from Los Caprichos

1797/99

Etching of two old women with a bat above and a basket of infants in front, from Goya's Los Caprichos plate 45.

There is Plenty to Suck, plate 45 from Los Caprichos

1797/99

Etching of hooded grotesque old figures, one with an animal head, with winged demons and a cherub flying above.

Correction, plate 46 from Los Caprichos

1797/99

Sepia etching of hunched elderly figures, one offering a small doll to a seated old man, with grimacing faces behind.

A Gift for the Master, plate 47 from Los Caprichos

1797/99

Etching of a winged demonic creature flying over a cowering cloaked figure with hands over face, plate 48 by Goya.

Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos

1797/99

Sepia etching of three grotesque hobgoblins drinking from cups in a dim room with a barred window.

Hobgoblins, plate 49 from Los Caprichos

1797/99

Sepia etching of a donkey-headed figure with a spoon beside two men with buckled head restraints, one reclining.

The Chinchillas, plate 50 from Los Caprichos

1797/99

Sepia etching of grotesque figures, one trimming another with scissors while a smiling figure watches under a cloudy sky.

They Spruce Themselves Up, plate 51 from Los Caprichos

1797/99

Sepia etching of a kneeling veiled woman looking up at a tall figure with raised arms, cherubs above, and a crowd at left.

What a Tailor Can Do!, plate 52 from Los Caprichos

1797/99

Sepia etching of an owl on a pedestal addressing a group of open-mouthed, grotesque men below.

What a Golden Beak!, plate 53 from Los Caprichos

1797/99

Sepia etching of a hooded old woman eating from a bowl, with a shadowy figure and an old man beside her.

The Shamefaced one, plate 54 from Los Caprichos

1797/99

Sepia etching of a seated woman with a ruffled fan before a mirror, watched by two men and a woman.

Until Death, plate 55 from Los Caprichos

1797/99

Sepia etching of a flame-haired figure with torches standing on a crouching man, a donkey behind them, titled Subir y bajar.

To Rise and to Fall, plate 56 from Los Caprichos

1797/99

Sepia etching of a white-clad figure raising a stick over a kneeling man, with laughing grotesque faces and a hooded shadow b

Swallow it, dog, plate 58 from Los Caprichos

1797/99

Sepia etching of grotesque figures straining to lift a large tilted board, numbered 59, from Goya's Los Caprichos.

And Still They Don't Go!, plate 59 from Los Caprichos

1797/99

Etching of a horned goat behind a nude woman bending over a reclining nude man, with a skull, pot and two cats below.

Trials, plate 60 from Los Caprichos

1797/99

Etching of a flying woman in a dark gown held aloft by grotesque hunched figures beneath her, against a pale sky.

They Have Flown, plate 61 from Los Caprichos (Caprices)

1797-98, published 1799

Sepia etching of two nude figures and a crouching beast on a dark rocky ground, with a stormy sky above.

Who Would Have Thought It!, plate 62 from Los Caprichos

1797/99

Etching of a bird-headed and donkey-headed figure leading a dog-like beast on a rope, with the caption Miren que grabes.

Look How Solemn They Are!, plate 63 from Los Caprichos

1797/99

Sepia etching of a winged grotesque figure with distorted faces flying over a dark landscape, captioned Buen Viage.

Bon voyage, plate 64 from Los Caprichos

1797/99

Etching of nude and monstrous flying figures with a cat holding an umbrella, over a distant city under a dark sky.

Where is Mother Going?, plate 65 from Los Caprichos

1797/99

Etching of a nude witch flying on a broomstick with a cat, over a landscape, from Goya's Los Caprichos plate 66.

There it Goes, plate 66 from Los Caprichos

1797/99

Etching of two withered figures applying ointment from a bowl while a goat-like creature leaps above them.

Wait till You've Been Anointed, plate 67 from Los Caprichos

1797/99

Etching of two nude witches flying on broomsticks past an owl in a night sky, from Goya's Los Caprichos.

Pretty Teacher!, plate 68 from Los Caprichos

1797/99

Etching of an old woman and seated nude man with a child and lamp, with floating faces above in a dark sky.

Blow, plate 69 from Los Caprichos

1797/99

Etching of a nude seated figure with a bird, two hooded witches reading a book above, and skulls on the ground.

Devout profession, plate 70 from Los Caprichos

1797/99

Etching of grotesque hunched figures under a starry night sky, one pointing upward, with Spanish caption below.

When Day Breaks We Will Be Off, plate 71 from Los Caprichos

1797/99

Etching of a woman in a white gown fleeing winged demons and grotesque creatures, with the caption 'No te escaparás' below.

You will not escape, plate 72 from Los Caprichos

1797/99

Etching of a seated man, an old woman at a table, and a standing young woman in a white dress, from Goya's Los Caprichos.

Is It Better To Be Lazy?, plate 73 from Los Caprichos

1797/99

Etching of a woman in a long dress held by two grotesque, hooded figures in a dim room with a doorway.

Don't scream, stupid, plate 74 from Los Caprichos

1797/99

Etching of two women tangled beneath a large owl in a tree, with the caption 'No hay quien nos desate?' below.

Can't anyone untie us?, plate 75 from Los Caprichos

1797/99

Etching of three men with walking sticks, a stout central figure in a tricorn hat gesturing, from Goya's Los Caprichos.

You understand? ... well, as I say... eh! Look out! otherwise..., plate 76 from Los Caprichos

1797/99

Etching of grotesque old figures with skull-like faces, one carried on another's back, using walking sticks.

What One Does to Another, plate 77 from Los Caprichos

1797/99

Sepia etching of two hunched elderly women at a table with a broom, while a third figure stands behind them.

Be quick, They are Waking Up, plate 78 from Los Caprichos

1797/99

Etching of three men drinking around a barrel, with caricatured faces and a shadowy figure behind them.

No One Has Seen Us, plate 79 from Los Caprichos

1797/99

Etching of several screaming old men in robes, one with arms raised, others clutching their chests beside a bed.

It is Time, plate 80 from Los Caprichos

1797/99

Brown etching of figures in period dress around a reclining woman, with an older man in a tall hat and a woman reading a book

The Filiation, plate 57 from Los Caprichos

1797/99

Etching of a hunched prisoner seated in chains, with shackled ankles and a dark hatched background.

The prisoner - Tan Barbara security as the crime (Delteil 31 ; Gassier-Wilson 986 ; Harris 26 IV ; Lefort 258)

1815

Sepia etching of a woman in a long dark gown flying above grotesque, caricatured faces, titled Volaverunt.

The Caprices pl. 61 : Volaverunt (Delteil 98 ; Gassier-Wilson 573 ; Harris 96 III 1 ; Lefort 61)

1799

Sepia etching of a cloaked figure covering its face as a winged demon and grotesque faces loom above, plate 48 by Goya.

The Caprices pl. 48. Soplones (Delteil 85 ; Gassier-Wilson 547 ; Harris 83 III 1 ; Lefort 48)

1799

Sepia etching of a woman by a cooking pot with hand to mouth, and a bent figure in a long skirt in the foreground.

The Caprices pl. 4 : El de la rollona (Delteil 43 ; Gassier-Wilson 457 ; Harris 39 III 1 ; Lefort 4)

1799

Sepia etching of a man embracing a swooning woman beside a brick wall, with a skull and shovel at their feet.

The Caprices pl. 10 : El amor y la muerte (Delteil 47 ; Gassier-Wilson 469 ; Harris 45 III 1 ; Lefort 10)

1799

Etching of an owl with spread wings above two bound figures tied back to back, with a tree branch and grass.

The Caprices pl. 75 : No hay quien nos desate ? (Delteil 112 ; Gassier-Wilson 608 ; Harris 110 III 1 ; Lefort 75)

1799

Etching of a woman in white fleeing winged demons and grotesque creatures, by Goya, plate 72 of The Caprices.

The Caprices pl. 72 : No te escaparas (Delteil 109 ; Gassier-Wilson 596 ; Harris 107 III 1 ; Lefort 72)

1799

Brown etching of two men in restraining devices, one lying and one standing, with a donkey-headed figure behind them.

The Caprices pl. 50 : Los chinchillas (Delteil 87 ; Gassier-Wilson 551 ; Harris 85 III 1 ; Lefort 50)

1799

Sepia etching of two old women and an old man around a table, one sweeping with a broom, from Goya's Caprices.

The Caprices pl. 78 : Despacha, que dispiértan (Delteil 115 ; Gassier-Wilson 609 ; Harris 113 III 1 ; Lefort 78)

1799

Sepia etching of four men drinking around a barrel, one leaning back laughing, with the caption Nadie nos ha visto.

The Caprices pl. 79 : Nadie nos ha visto (Delteil 116 ; Gassier-Wilson 611 ; Harris 114 III 1 ; Lefort 79)

1799

Etching of screaming, contorted figures with raised arms, from Goya's Caprices series, plate 80.

The Caprices pl. 80 : Ya es hora (Delteil 117 ; Gassier-Wilson 613 ; Harris 115 III 1 ; Lefort 80)

1799

Sepia print of a barefoot woman seated on the floor in a dim room, head bowed, lit by a small high window.

The Caprices pl. 32 : Por que fue sensible (Delteil 69 ; Gassier-Wilson 515 ; Harris 67 III 1 ; Lefort 32)

1799

Etching of a powdered-wig nobleman standing over two bent men beside a shelf of bottles, titled Al Conde Palatino.

The Caprices pl. 33 : Al Conde Palatino (Delteil 70 ; Gassier-Wilson 517 ; Harris 68 III 1 ; Lefort 33)

1799

Brown etching of a seated man being attended by two women in an interior, with a jug on a table beside them.

The Caprices pl. 35 : Le descanona (Delteil 72 ; Gassier-Wilson 520 ; Harris 70 III 1 ; Lefort 35)

1799

Etching of an old man grinning beside a burning wooden chair, with smoke rising in a dark interior.

The Caprices pl. 18 : Y se le quema la Casa (Delteil 55 ; Gassier-Wilson 487 ; Harris 53 III 1 ; Lefort 18)

1799

Ink and wash drawing of a stooped elderly figure in a dark cloak leaning on two canes, with a Spanish inscription below.

He can no longer at the age of ninety-eight

about 1819-1823

Grey ink wash drawing of a seated man repairing a shoe, with a woman and child beside him on cream paper.

The Blind Worker, c. 1815-1820

1815

Etching of a seated man in a wide hat and fur-trimmed coat, leaning on a rolled paper beside an inkwell.

Un enano (A Dwarf)

1778

Etching of an elderly bearded man in a wide-brimmed hat and cloak, with a jug and shoes on the floor beside him.

Moenippus

1778

Brown wash drawing of a hooded woman beside two men and a two-wheeled cart in front of a stone arch.

Frau mit Umhang, dahinter zwei Männer mit einem zweirädrigen Wagen (Una mujer y dos hombres cerca de un carro)

1761

Etching of a laughing old man on a swing, gripping the ropes, with bare feet extended and a faint face behind him.

Viejo columpiándose / Alter Mann auf der Schaukel

1761

Etching of a seated woman clutching two frightened children as a tall white-hooded figure looms beside them in darkness.

Que viene el Coco. / Da kommt der Kinderschreck. (Caprichos 3)

1761

Etching of a seated man in lace collar and cloak, hands on knees, against a densely hatched dark background.

Un Enano (Sebastian de Morra)

1761

Sepia etching of a man and woman embracing against a dark wall, with a helmet and sword on the ground below.

Love and death

1799

Etching of a donkey-headed teacher with magnifier instructing a donkey-headed pupil who writes letters, with other animals wa

Might not the pupil knows more?

1799

Etching of a startled man beside a pot, with a figure carrying a woman on his back in a dark interior.

Nanny's Boy

1799

Etching of a donkey watching a monkey paint at an easel, with a donkey portrait on the canvas.

Neither more nor less

1799

Brown etching of men drinking around a barrel, one laughing with a raised glass, with a caption reading Nadie nos ha visto.

No one has seen us

1799

Etching of a woman in a striped cone hat riding a donkey, surrounded by a jeering crowd. Goya, 1799.

Nothing could be done about it

1799

Etching of an animal-headed figure in a lesson scene with a donkey-headed pupil and letters on a page, by Goya.

Might Not the Pupil Know More? (Si sabrá mas el discipulo?) from the series Los Caprichos

Etching of two women, one holding a fan and one stooped with a shawl and walking stick, against a shaded background.

For Heaven’s Sake: And It Was Her Mother (Dios la perdone: y era su madre) from the series Los Caprichos

1797

Etching of two women at night, one standing with flowing cloth and one crouching, with the caption Mala noche below.

A bad night (Mala noche), plate 36 from "Los Caprichos"

1799

Etching of a woman and a barefoot man on a stone ledge, the man reaching toward his mouth, against a dark background.

Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"

1799

Etching of a reclining woman and a man clutching his face before a rocky landscape, titled Tantalo.

Tantalus (Tantalo), plate 9 from "Los Caprichos"

1799

Etching of a woman stretching her leg beside a seated older woman in a dim bedroom, with a caption below.

It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"

1799

Etching of two women in black mantillas seated on wooden chairs, one leaning toward the other in conversation against a dark

A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"

1799

Etching of a man leaning toward a woman in a dark dress, with a seated woman fanning herself behind them.

Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"

1799

Etching of two old women in a dim room, one sweeping with a broom and one leaning over a table with a plate.

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

1799

Etching of two gaunt old men seated, one washing his feet while a donkey stands upright above them, from Goya's Caprices.

The Caprices (Los Caprichos), plates 1-80

1799

Etching of a crouching, chained prisoner with shackled ankles and wrists against a dark hatched background.

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

ca. 1815 (published after 1867)

Etching of a bound man bent forward, arms tied behind him, ankles shackled, against a dark hatched background.

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)

ca. 1815 (published 1859)

Grey wash drawing of an old woman bent under two grotesque figures riding on her back, labeled 'Pesadilla'.

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)

ca. 1819-23

Etching of a garroted man seated against a post, with a lit candle at left and hatched dark background.

Garroted Man

ca. 1775-78

Etching of a woman in a ruff collar riding a decorated horse across a landscape, after Velázquez.

Margaret of Austria on horseback, after Velázquez

1778