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Francisco Goya

1,220 works

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Full-length portrait of a seated woman in a white dress and feathered headdress in a gilded armchair against a dark backgroun

Countess of Chinchon

1800

Painting of a woman in a black riding habit and plumed hat on a bay horse with an ornate saddle, under an overcast sky.

Queen María Luisa on horseback

1799

Oil painting of the Holy Family: Mary in blue with the infant Christ holding a cross, and Saint Joseph with a staff behind.

The Holy Family

1787

Painting of elegant figures with grapes and baskets on a stone bench, workers in fields and mountains behind.

The Grape Harvest

1786

Seated young man with a reed cross and white banner against a dark rocky background, painted by Goya.

Saint John the Baptist in the Desert

1810

Five men playing cards under a large tree, with a blue cloak hung on a branch and a cloudy sky behind them.

Card Players

1777

Portrait of a seated man in a black top hat and brown coat holding a quill pen over paper, against a brown background.

Asensio Juliá

1814

Self-portrait of a man with dark curly hair, in a dark coat and striped cravat, beside an easel, against a green background.

Self-portrait on Linen

1796

Painting of a huge muscular giant looming over a stormy landscape while people and animals flee in panic below.

The Colossus

1808

Oil sketch of a winged bearded figure, a standing nude woman, and a seated nude reading, with bats in a dark sky.

Time, Truth and History

1797

Oil painting of women and children gathering flowers in a sunny landscape, with a man holding a rabbit beside a tree.

The Flower Girls or Spring

1786

Oil portrait of an elderly man with grey hair in a brown coat and white lace cravat, seated in a red chair against a dark bac

Portrait of a Man in a Brown Coat

Full-length portrait of a standing man in green court dress with a blue sash, holding papers, against a dark draped backgroun

José Moñino y Redondo, count de Floridablanca

1783

Oil portrait of a young man with curly hair in a brown coat and white cravat against a dark background.

Portrait of a Young Man in Brown, possibly Javier Goya

Painting of a mounted officer in a dark uniform raising a saber on a white horse, with smoke and riders behind him.

Officer on Horseback

Painting of a boy in a white hat and ruffled collar riding a dark ram along a dirt path beneath trees.

Boy on a Ram

1786-87

Oil portrait of a man with curly dark hair in a gray coat and white cravat against a dark brown background.

Portrait of Isidoro Máiquez

c. 1807

Full-length portrait of a woman in a white polka-dot dress with red sash and bows, pointing left, with a small white dog besi

Duchess of Alba

1795

Night scene of seated witches around a horned goat-like figure wearing a leafy wreath, under a crescent moon and bats.

The Sabbath of witches

1797

Grey wash drawing of a woman wringing her hands beside a reclining man, with a dog and foliage in the background.

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)

1796-97

Grey wash drawing of a veiled woman in white dress beside a smiling, heavyset man in a dark coat.

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)

1796-97

Sepia tonal print of a large nude giant seated on a rock ledge, seen from behind, under a crescent moon.

Seated Giant

by 1818 (possibly 1814-18)

Etching of a bearded man seated against a post with an iron collar, bare feet, and a candle lit beside him.

The Garrotted Man

1778-80

Etching of Gaspar de Guzman on a rearing horse, holding a baton, with a tree and landscape behind him.

Gaspar de Guzman

1778

Grid of eighteen dark etched prints showing witches, flying figures, winged creatures and crowds in night scenes.

The Proverbs

1864

Brown ink and wash drawing of a woman carrying jugs, with a Spanish inscription beneath, by Goya, about 1808-1814.

It's a pity you don't have something else to do

about 1808-1814

Brown wash drawing of a seated woman raising an arm beside a standing woman in a cloak, in a simple interior.

Pygmalion and Galatea

possibly about 1812-1820

Etching of a seated woman in a white gown holding a fan, with men watching and a caricature on an easel beside her.

Until Death, Plate 55

1799

Etching of an elderly bearded man in a hood, looking upward with clasped hands, against dark hatched shading.

San Francisco de Paula (Caritas)

1780

Etching of a woman in a pale nightgown bending over a rumpled bed in a dark room, with a figure lying behind her.

A Bad Night, Plate 36

1799

Grey ink wash drawing of a woman with raised arms and billowing sleeves, grimacing, standing on a pale sheet.

Unholy Union

ca. 1801-3 or ca. 1813-19

Brown ink drawing of a man in a cocked hat and coat, turned three-quarters toward the viewer, by Goya.

Self-Portrait in a Cocked Hat

ca. 1790

Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)

published 1799

Etching of a man leaning toward a woman in a black mantilla, with a small dog at their feet and figures behind them.

Quien mas rendido? (Which of Them Is the More Overcome?)

published 1799

Brown etching of a woman and two frightened children on a sofa, staring at a tall shrouded figure in a hooded cloak.

Que viene el coco (Here Comes the Bogey-Man)

published 1799

Etching of a man embracing a limp woman against a brick wall, with a sword and hat on the ground below.

El amour y la muerte (Love and Death)

published 1799

Etching of a gaunt figure bending over a nude companion on a rock while a clawed creature rises beneath, under a dark sky.

Quien lo creyera! (Who Would Have Thought It!)

published 1799

Goya etching: a woman reaches toward a hanged man bound at the wrists on stone steps, under a dark sky.

A caza de dientes (Out Hunting for Teeth)

published 1799

Sepia etching of a donkey seated by an easel as a monkey paints on a small panel, with the caption Ni mas ni menos below.

Ni mas ni menos (Neither More nor Less)

published 1799

Etching of gaunt nude figures huddled under a starry night sky, one pointing upward; Goya, published 1799.

Si amanece; nos vamos (When Day Breaks We Will Be Off)

published 1799

Etching of three grotesque hooded goblin figures drinking, one standing and gesturing, beneath a barred window in a dim room.

Duendecitos (Hobgoblins)

published 1799

Etching of a mother clutching two frightened children as a tall hooded bogeyman figure looms in a dark room.

Here Comes the Bogeyman, plate three from Los Caprichos

1797/99

Sepia etching of a figure in a patterned cap and embroidered coat leaning on a cushioned chair, with a Spanish caption below.

Nanny's boy, plate four from Los Caprichos

1797/99

Etching of a fur-clad woman with a fan, a man in a tricorn hat, and a hooded older woman beside them.

Two of a Kind, plate five from Los Caprichos

1797/99

Sepia etching of masked figures at a masquerade, with an elderly man in a tricorn hat beside a woman in a gown.

Nobody knows himself, plate six from Los Caprichos

1797/99

Etching of a man leaning toward a woman in a dark dress, with a seated veiled woman with a fan behind them.

Even Thus he Cannot Make Her Out, plate seven from Los Caprichos

1797/99

Etching of a man carrying a struggling woman over his shoulder, her legs kicking in the air beside a tipped chair.

They Carried Her Off!, plate eight from Los Caprichos

1797/99

Sepia etching of a man clutching his head beside a limp reclining woman before a stone wall, titled Tantalo.

Tantalus, plate 9 from Los Caprichos

1797/99

Etching of a man embracing a woman beside a stone wall, with a skull and hammer on the ground below.

Love and Death, plate ten from Los Caprichos

1797/99

Sepia etching of three men near a tree trunk, one bending over a bundle with rope, plate 11 from Los Caprichos.

Lads Making Ready, plate eleven from Los Caprichos

1797/99

Sepia etching of a man reaching into a woman's open mouth while she leans back on a stone staircase.

Out Hunting for Teeth, plate twelve from Los Caprichos

1797/99

Sepia etching of an elderly man leaning over a table with a plate, two companions and a standing figure behind him.

They are Hot, plate 13 from Los Caprichos

1797/99

Etching of an old man leaning toward a young woman in a pale gown while others watch from behind, from Goya's Los Caprichos.

What a Sacrifice!, plate 14 from Los Caprichos

1797/99

Etching of two women seated on chairs, one older leaning toward a younger woman in a dark lace mantilla.

Pretty Teachings, plate 15 from Los Caprichos

1797/99

Etching of a young woman with a fan beside an older woman in a shawl, with a Spanish caption beneath.

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos

1797/99

Etching of a young woman bending over a board while an elderly woman in a headscarf watches beside her.

It is Nicely Stretched, plate 17 from Los Caprichos

1797/99

Sepia etching of a grinning old man beside a burning chair in a dim interior, with Spanish caption below.

And his house is on fire, plate 18 from Los Caprichos

1797/99

Etching of an old hooded woman beside two younger women, with winged figures and birds flying above a bare tree branch.

All Will Fall, plate 19 from Los Caprichos

1797/99

Brown etching of witches with brooms, a bent young woman, two plucked birds on the floor, and a flying bird above.

There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos

1797/99

Etching of two seated men plucking feathers from a small bird, with a standing figure behind them in shadow.

How they Pluck Her, plate 21 from Los Caprichos

1797/99

Etching of a cloaked man and a bowed woman in a white headscarf against a dark wall, from Goya's Los Caprichos.

Poor Little Girls!, plate 22 from Los Caprichos

1797/99

Etching of a seated woman in a tall cone hat beside a crowd, with a man reading from a raised platform.

Those specks of dust, plate 23 from Los Caprichos

1797/99

Brown etching of a woman in a tall striped cap riding a donkey through a crowd of grotesque onlookers.

Nothing Could Be Done about It, plate 24 from Los Caprichos

1797/99

Etching of a man kneeling and embracing a child beside a broken jug, with laundry on a line behind them.

Yes, He Broke the Pot, plate 25 from Los Caprichos

1797/99