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Francisco Goya

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Etching of a bull standing among panicked spectators scrambling over a wooden barrier in a bullring.

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the F…

in or before 1816

Etching of a mounted rider with a lance facing a charging bull in an arena, with spectators along the top.

Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Sar…

in or before 1816

Etching of a mounted bullfighter striking a bull in an arena while spectators watch from the stands behind the barrier.

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull f…

in or before 1816

Etching of a mounted rider on a dark horse facing a charging bull in an arena, holding a short spear.

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another…

in or before 1816

Etching of a bull attacked by dogs in an arena while a plumed horseback rider watches from the right.

Echan perros al toro (They Loose Dogs on the Bull)

in or before 1816

Etching of a bull charging over a fallen picador and horse in a bullring, with a cape-holding figure and spectators in the st

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)

in or before 1816

Etching of a mounted picador with a lance facing a bull in a bullring, with another horseman and a fallen horse behind.

El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando de…

in or before 1816

Etching of a picador on horseback lancing a bull in a bullring while a cape-holding bullfighter and spectators look on.

El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with t…

in or before 1816

Etching of a matador making a close pass as a bull charges in a bullring, with mounted horsemen and spectators behind.

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

in or before 1816

Etching of a matador with cape and sword facing a bull in a bullring, spectators watching from the stands above.

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

in or before 1816

Etching of a bull in a bullring with a matador holding lit banderillas, mounted picadors and spectators nearby.

Banderillas de fuego (Banderillas with Firecrackers)

in or before 1816

Etching of a bull charging in a bullring, tossing a horse and rider as picadors and attendants scramble nearby.

Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a…

in or before 1816

Etching of a bull goring a fallen bullfighter in an arena while a matador with a cape and spectators look on.

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)

in or before 1816

Etching of a man raising an axe over fallen figures while others fight with swords, captioned Lo mismo.

Disasters of War: Pl., 3, The Same (Thing)

1810-1813

Etching of men in tall hats restraining a naked figure on the ground, with a tree and shrub behind them.

Disasters of War: Pl. 33, What more can one do?

1810-1813

Etching of a nude, wild-haired figure struggling with a log as a soldier raises a sword, with bodies on the ground nearby.

Disasters of War: Pl. 37, This is worse

1810-1813

Etching of fallen and standing figures on a dark ground, one man holding a hat, with the caption 'No hay que dar voces'.

Disasters of War: Pl. 58, It is no use shouting

1810-1813

Etching of caricatured figures with exaggerated faces mocking a seated woman against a dark background.

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios

1815/24

Etching of a crowd of robed figures beneath a sweeping cloth canopy, with a fallen figure at left.

Without commending himself either to God or the devil, plate 15 from Los Proverbios

1815/24

Etching of a dark scene with a bowed figure covering his face while a cloaked man gestures and others crowd behind.

Wounds Heal Quicker than Hasty Words, plate 16 from Los Proverbios

1815/24

Etching of carnival revelers in pointed hats and cloaks dancing before a crowd, with a tall figure on stilts at right.

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios

1815/24

Etching of women in shawls gathered at a doorway, one gesturing toward a pale ghostly figure at the left.

Poor Folly, plate eleven from Los Proverbios

1815/24

Etching of a man strapped beneath bat-like wings flying in a dark sky, with other winged figures and a parachute nearby.

A Way of Flying, from Disparates, published as plate 13 in Los Proverbios (Proverbs)

1815-17, published 1864

Etching of robed figures in a dark landscape, one reaching toward a kneeling figure while another lies on the ground.

God creates them and they join up together, plate 18 from Los Proverbios

1815/24

Dark etching of a crowd with a seated woman holding a bundle and a man carrying bundles, by Goya, plate nine of The Proverbs.

General Folly, plate nine from The Proverbs

1815/24

Etching of hooded figures in pale robes standing and bending in a row against a dark background.

There is Something Beneath the Sackcloth, i.e. you can't judge a man by his clothes, plate eight from Los Proverbios

1815/24

Etching of a half-nude man pointing while a crowd of grotesque, agitated figures surrounds him against a dark background.

Disorderly Folly, plate seven from The Proverbs

1815/24, published 1864

Etching of a violent melee with armed men, a woman raising her arms, and fallen bodies on the ground.

Y son fieras (And They Are Like Wild Beasts)

published 1863

Etching of a man shouting as two figures hold him down while a third stands with a raised weapon beside a tree.

Por que? (Why?)

published 1863

Etching of a woman standing by a cannon beside fallen soldiers on a battlefield, by Francisco Goya.

Que valor! (What Courage!)

published 1863

Etching of seated men in cross-marked hats and robes, several reading papers on a bench, with the caption No se puede saber p

No se puede saber por que (One Can't Tell Why)

published 1863

Etching of a soldier seizing a kneeling woman as a child lies on the ground and figures recoil in a dark scene.

Ni por esas (Neither Do These)

published 1863

Etching of a standing figure beside a post amid fallen bodies on the ground, rendered in dense dark hatching.

Y no hai remedio (And There's No Help for It)

published 1863

Etching of a mounted soldier with a raised sword beside a rearing horse, with fallen and fighting figures on the ground below

No se convienen (They Do Not Agree)

published 1863

Etching of two men pointing while a woman and child and a crowd flee across a landscape with a hilltop castle.

Yo lo vi (I Saw It)

published 1863

Etching of women carrying bundles and a pot past a dead animal and prostrate figures under a dark, hatched sky.

Y esto tambien (And This Too)

published 1863

Etching of several dead men in military dress piled on barren ground, with swords and a ruined building behind.

Tanto y mas (Even Worse)

published 1863

Etching of huddled figures, women and a child clinging together, a kneeling man at right, and rifles at the edge of the scene

No se puede mirar (One Can't Look)

published 1863

Etching of a man with bat-like wings flying among other winged figures against a dark night sky.

Modo de volar (A Way of Flying)

published 1864

Etched print of armed men struggling with a bayonet, with fallen bodies on the ground and soldiers in tricorn hats behind.

Rightly or wrongly, plate two from The Disasters of War

1812/15, published 1863

Etching of a man raising an axe over a fallen body while other figures fight with swords in a violent struggle.

The Same, plate three from The Disasters of War

1810/15, published 1863

Brown etching of armed men thrusting poles at a struggling crowd, with a woman lying on the ground at left.

And they are like wild beasts, plate five from The Disasters of War

1812/15, published 1863

Etching of figures in white clothing gathered on dark ground beside a prone body, with distant figures in an open landscape u

It Serves You Right, plate six from The Disasters of War

1810/15, published 1863

Etching of a woman in white standing on a cannon above fallen soldiers on a battlefield.

What Courage!, plate seven from The Disasters of War

1810/12, published 1863

Etching of a horse collapsing on open ground with a fallen rider and other horses in the background.

It Always Happens, plate eight from The Disasters of War

1814/20, published 1863

Etching of a couple embracing as an older woman behind them raises a knife, with a wall and fallen figure at left.

They Don't Like it, plate nine from The Disasters of War

1810/15, published 1863

Etching of tangled, fallen figures in a dark, hatched landscape, from Goya's Disasters of War series.

Neither do these, plate ten from The Disasters of War

1810/15, published 1863

Etching of soldiers attacking civilians beside a small building, one man held down with a raised sword, under a dark night sk

Nor do these, plate eleven from The Disasters of War

1810/15, published 1863

Etching of a man standing over several fallen bodies on a battlefield, smoke rising behind, with the caption Para eso habeis

This is What You Were Born For, plate twelve from The Disasters of War

1810/12, published 1863

Etching of a woman on the floor held by two men in a vaulted cellar, with another figure leaning in from the left.

Bitter to be Present, plate 13 from The Disasters of War

1810/11, published 1863

Etching of men struggling up a wooden ladder with a pointing figure above and kneeling figures and hills behind.

It's a hard step!, plate 14 from The Disasters of War

1810/11, published 1863

Etching of a grim execution scene with a standing figure by a post, a fallen body in front, and dark background figures.

And there's no help for it, plate 15 from The Disasters of War

1810/11, published 1863

Etching of two men stripping clothing from fallen bodies beneath a tree, with distant figures and a mountain behind.

They Make Use of Them, plate 16 from The Disasters of War

1810/12, published 1863

Etching of a mounted rider with a raised saber above fallen soldiers and swordsmen in a smoky battlefield.

They Do Not Agree, plate 17 from The Disasters of War

1810/12, published 1863

Etching of nude corpses lying on a hillside while a clothed man stands above them, from Goya's Disasters of War.

Bury them and keep quiet, plate 18 from The Disasters of War

1810/12, published 1863

Etching of armed men and women fighting with sabres beside a stone wall, with fallen bodies on the ground.

There isn't Time Now, plate 19 from The Disasters of War

1810/12, published 1863

Etching of men tending a wounded figure beneath bare trees, with bodies lying in the distance, plate 20 from The Disasters of

Get them well, and on to the next, plate 20 from The Disasters of War

1810, published 1863

Goya etching of figures among fallen bodies, one man lifting a limp figure while another covers his face in grief.

It will be the same, plate 21 from The Disasters of War

1810/12, published 1863

Etching of many dead bodies and sabers piled on a barren field beside a ruined wall, from Goya's Disasters of War.

Even Worse, plate 22 from The Disasters of War

1810, published 1863

Etching of several fallen figures lying on rocky ground under a dark sky, from Goya's Disasters of War.

The Same Elsewhere, plate 23 from The Disasters of War

1810/12, published 1863

Etching of men tending wounded figures on a battlefield beside scattered weapons and a ruined tower in the distance.

They Can Still be of Use, plate 24 from The Disasters of War

1810/12, published 1863

Etching of wounded figures on beds with attendants in a dark hatched setting, plate 25 from Goya's Disasters of War.

These too, plate 25 from The Disasters of War

1810/12, published 1863

Etching of huddled figures covering their eyes, turning from a glare and rifle barrels at the right edge.

One Can't Look, plate 26 from The Disasters of War

1810/12, published 1863

Etching of a sword-wielding man and figures on a rocky ledge, with a dead body in the background, titled Charity by Goya.

Charity, plate 27 from The Disasters of War

1810, published 1863

Etching of a crowd beating a fallen body, a man with a pole and a woman raising a stick, with a building behind.

Rabble, plate 28 from The Disasters of War

1814/20, published 1863

Etching of violent figures, one striking with a stick while a bearded man is dragged on a rope across dark ground.

He deserved it, plate 29 from The Disasters of War

1814/20, published 1863

Etching of bodies lying among broken timbers and an overturned chair, with a woman leaning over the wreckage above.

Ravages of war, plate 30 from The Disasters of War

1810/11, published 1863

Etching of armed men beside a figure hanging from a tree, with caption 'Fuerte cosa es!' below, from Goya's Disasters of War.

That's tough!, plate 31 from The Disasters of War

1812/15, published 1863

Etching of soldiers in violent struggle in an open landscape, with swords raised and a caption reading Por qué? below.

Why?, plate 32 from The Disasters of War

1812/15, published 1863

Etching of armed men in hats surrounding a nude figure lying on the ground beneath a tree.

What More Can Be Done?, plate 33 from The Disasters of War

1812/15, published 1863

Etching of a seated man in a tall striped hat holding a knife, with a crowd behind him, captioned Por una navaja.

On account of a knife, plate 34 from The Disasters of War

1812/15, published 1863

Etching of a hanged man on a tree beside a reclining figure on a stone block, with distant hanged figures in the background.

Not in this case, plate 36 from The Disasters of War

1812/15, published 1863

Etching of a nude man riding a horse past soldiers and fallen bodies, with the caption 'Esto es peor' below.

This is Worse, plate 37 from The Disasters of War

1812/15, published 1863

Etching of soldiers firing rifles at a bound prisoner, with a fallen body in the foreground, brown ink tones.

Barbarians!, plate 38 from The Disasters of War

1812/15, published 1863

Etching of nude figures with corpses and a grimacing onlooker beside trees, from Goya's Disasters of War, plate 39.

A Heroic Feat! With Dead Men!, plate 39 from The Disasters of War

1812/15, published 1863

Etching of a man lying prone on the ground while a snarling dog stands over him against hatched shadows.

He gets something out of it, plate 40 from The Disasters of War

1814/20, published 1863

Etching of figures fleeing through smoke and flames, a man carrying a woman in a pale dress at center, under a dark sky.

They Escape through the Flames, plate 41 from The Disasters of War

1810/12, published 1863

Etching of grotesque hooded women crowded together on rocky ground, with smaller figures and a sleeping man in the background

Everything is topsy-turvy, plate 42 from The Disasters of War

1815/20, published 1863

Etching of figures in dark robes reacting with raised arms on a slope, with a distant crowd and a shrub beside them.

This too, plate 43 from The Disasters of War

1815/20, published 1863

Etching of two crouching men pointing at a crowd, a woman sheltering a child, and a hill with ruins behind.

I Saw it, plate 44 from The Disasters of War

1810/12, published 1863

Etching of women in dark dress with bundles beside corpses on the ground, a dog at left, under a hatched sky.

And this too, plate 45 from The Disasters of War

1812/15, published 1863

Etching of a kneeling robed figure attacked by a soldier with a sword, with two armed men watching in shadow behind.

This is Bad, plate 46 from The Disasters of War

1812/15, published 1863

Etching of a kneeling man before a balustrade as helmeted soldiers and a figure with a cross loom above him.

This is How it Happened, plate 47 from The Disasters of War

1812/15, published 1863

Etching of a grieving woman beside sprawled bodies on the ground, with a standing man and a dark wall behind them.

Cruel tale of woe!, plate 48 from The Disasters of War

1812/15, published 1863

Etching of a woman tending a reclining man beside a stone wall while two figures stand at right, from Goya's Disasters of War

A Woman's Charity, plate 49 from The Disasters of War

1812/15, published 1863

Etching of men struggling with a woman while a small child covers her face at right, from Goya's Disasters of War.

Unhappy Mother!, plate 50 from The Disasters of War

1812/15, published 1863

Etching of figures gathered in a dim room, some hooded, one man in a hat, others sprawled in the foreground.

Thanks to the Millet, plate 51 from The Disasters of War

1812/15, published 1863

Etching of three women gathered around a kneeling figure beside a stone wall, with a prone body at the right.

They Do Not Arrive in Time, plate 52 from The Disasters of War

1812/15, published 1863

Goya etching of a man dying as two figures bend over him and a woman with a basket stands nearby.

There Was Nothing to be Done and He Died, plate 53 from The Disasters of War

1812/15, published 1863

Etching of sprawled figures on stone steps beside a doorway, with a standing soldier in a cap at right.

Appeals are in vain, plate 54 from The Disasters of War

1812/15, published 1863

Etching of gaunt beggars on the ground with a standing woman in a long dress watching, from Goya's Disasters of War.

The Worst is to Beg, plate 55 from The Disasters of War

1812/15, published 1863

Etching of a man carrying a limp body past a stone wall, with mourners kneeling on the ground beside him.

To the Cemetery, plate 56 from The Disasters of War

1812/15, published 1863

Etching of a sick, emaciated man seated beside veiled women and a child under a dark arch, from Goya's Disasters of War.

The Healthy and the Sick, plate 57 from The Disasters of War

1812/15, published 1863

Etching of figures on a ground by a wall, some prostrate, with a standing woman and a man holding a hat; caption 'No hay que

It's no use crying out, plate 58 from The Disasters of War

1812/15, published 1863

Etching of a headscarfed woman offering a cup to figures lying on the ground under a dark, stippled sky.

What is the Use of a Cup?, plate 59 from The Disasters of War

1812/15, published 1863

Sepia etching of a standing cloaked figure above several prostrate figures on barren ground under a pale sky, by Goya.

There is No One to Help Them, plate 60 from The Disasters of War

1812/15, published 1863