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Eugène Delacroix

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Etching of a standing man in a feathered cap and puffed doublet, holding a long sword, by Eugène Delacroix.

Man at Arms

1833

Etching of a bearded nobleman in a plumed cap holding a horse's reins, with sketched riders and horses behind him.

A Nobleman from the Time of Francis I

1833

Lithograph of an armored knight facing a cloaked man who points, with a castle tower and walls behind them at night.

The Ghost on the Terrace

1843

Lithograph of a man on tall stilts beside a child violinist standing on a barrel, over a flat landscape.

Le Grand Opéra, from "Le Miroir"

July 26, 1821

Lithograph of a young man in dark costume pulling back a curtain beside a fallen body and a sword on the floor.

Hamlet and the Corpse of Polonius

1835

Lithograph of three men in period costume, one offering a flute to another beside a curtain, with French caption below.

Hamlet and Guildenstern

1834-43

Lithograph of two men on a graveyard hill as a gravedigger holds up a skull, with a second gravedigger resting nearby.

Hamlet and Horatio before the Gravediggers

1843

Lithograph of a young man with a drawn sword in a doorway, looking at a kneeling figure in a gown beside a column.

Hamlet Attempts to Kill the King

1834-43

Lithograph of Hamlet restrained by two armored guards as he reaches toward a ghost on a stone staircase below a castle.

Hamlet Tries To Follow His Father's Ghost

1835

Lithograph of a man with a drawn sword stabbing at a curtain as a crowned woman grips his arm, with a caption below.

The Murder of Polonius

1834-43

Lithograph of an older bearded man with a staff and a younger man holding an open book, by Eugène Delacroix.

Polonius and Hamlet

1834-43

Lithograph of a dark-clad young man flanked by a crowned queen and a bearded king in a Gothic hall with courtiers behind.

The Queen Tries to Console Hamlet

1834

Sketch of a snarling lion standing with lowered head and curled tail, rendered in loose dark lines on pale paper.

Lion Standing

1833

Black and gray lithograph of armored knights and rearing horses in combat, with a plumed rider at center.

Weislingen attacked by Goetz's Men

1836-43

Engraving of a bearded man writing at a desk beside a seated woman, with armor, a shield and antlers in the room.

Goetz von Berlichingen Writing His Memoirs

after 1845

Pen and ink print of a kneeling friar clasping the hand of a bearded armored knight in a stone interior.

Goetz and Friar Martin

1845

Etching of grieving figures around an elderly bearded man, with a kneeling woman and a walled town with a tower behind them.

Death of Goetz von Berlichingen

1845

Engraving of a bearded armored knight on horseback with a spear, accompanied by a boy, with trees and figures behind.

Goetz Aided by the Gypsies, from "Le Magasin Pittoresque"

after 1845

Lithograph of a horseman on a rearing horse above a fallen turbaned man, with mountains and sketch studies below.

Combat of the Giaour and the Pasha

1827

Dark print of a blacksmith at an anvil holding tongs over glowing metal, with a figure in firelight behind him.

Blacksmith

1833

Lithograph of a seated robed figure gesturing to a standing young man in an interior with curtains and an attendant behind.

Mephistopheles Receiving the Student, from Johann Wolfgang von Goethe's Faust

1827

Lithograph of an elderly bearded man with a staff and a young man holding an open book, by Eugène Delacroix, 1833.

Polonius and Hamlet (Act. II Sc. II), from Shakespeare's Hamlet

1833

Lithograph of a winged horned devil flying above a dark city skyline with church spires under a stormy sky.

Mephistopheles in the Skies, from Johann Wolfgang von Goethe's Faust

1827

Pen and ink sketch of four male figures in period dress with gesturing arms and exaggerated expressions.

Studies of Four Englishmen, after James Gillray

ca. 1817-25

Watercolor of a standing woman in a black lace mantilla, ruffled black dress and red hair bow, holding a fan.

Young Spanish Lady in Costume of Manola

1832

Black and white lithograph of a woman pointing from a doorway toward a reclining bearded man on a bed in a draped room.

Fronte-boeuf and the Witch, from Ivanhoe

1829

Pencil sketch of a standing man leaning toward a seated woman in an interior with carved chair and classical column.

Hamlet Reproaches His Mother

ca. 1834

Pen and brown ink sketch sheet with studies of horses in various poses, plus hands, feet and heads, by Delacroix.

Studies of Horses, Hands, and Feet (recto); Studies of Heads and Figures (verso)

ca. 1822-27

Pencil and watercolor sketches of turbaned men in white robes and red caps, with a reclining figure in red below.

Seven Studies of Moroccan Men's Costume

1832

Pen and watercolor drawing of a standing young figure in a white headwrap, teal top, red sash and pale blue trousers.

Young Moroccan, Standing

1832

Pencil sketch of a hooded rider on horseback surrounded by turbaned attendants, with a parasol above and city buildings behin

Study for "The Sultan of Morocco and His Entourage"

ca. 1855-56

Red and grey chalk drawing of a flayed male torso showing exposed musculature, arms raised, head tilted back.

Ecorché: Torso of a Male Cadaver

1828?

Etching of a standing man in a feathered cap and period costume, resting one hand on a pedestal and holding a sword.

A Man with Weapons (Un Homme d'armes)

1833

Etching of a bearded man in period costume holding a horse's reins, with a sketched horse and riders behind him.

A Lord from the Period of Francis I (Un Seigneur de temps de François Ier)

1833

Pen and ink study of a bearded man in a draped robe beside a sketch of a classical head on brown paper.

A Bearded Man, Standing, and a Classical Head

1815-63

Graphite study of a left arm and hand on cream paper, with soft shading along the forearm and fingers.

Study of a Left Arm and Hand

1815-63

Pencil sketch on tan paper of bearded men, a nude female figure and an infant, studies after Rubens' Adoration of the Magi.

Adoration of the Magi, after Rubens

ca. 1830

Pencil sketch of an armored knight effigy standing beside a small child, with heraldic shields above.

Tomb Effigies: A Man in a Suit of Armor beside a Child

ca. 1825-30

Ink sketch of a lion crouching in the lower left and a seated female nude above it on a pale sheet.

Studies of a Lion and a Female Nude (recto); Figure Studies (verso)

ca. 1844

Pencil sketch of two men embracing at a grave while robed mourners with a crucifix and torches gather around them.

Hamlet and Laertes at the Tomb of Ophelia

ca. 1843

Ink and wash sketches of a rearing horse attacked by a lion, plus a lion wrestling a serpent in brown wash.

Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent

1830s

Lithograph of two men fleeing down night steps, one with a sword and feathered hat, beside a dark architectural background.

Mephistopheles and Faust Fleeing After the Duel, from Johann Wolfgang von Goethe's Faust

1827

Pencil sketch of acrobatic theatre performers in costume, with a masked figure, a woman in a ruffled dress, and a plumed figu

Théâtre Italien (Gioacchino Rossini, 1792-1868)

1821

Lithograph of an acrobat balancing three costumed figures on his raised hands above a wooden stage floor.

Théâtre Italien, from "Le Miroir"

August 13, 1821

Watercolor of two peasant women in a rocky mountain landscape, one standing in a red cap and one seated in a red headscarf.

Peasant Women from the Region of the Eaux-Bonnes

1845

Pencil sketch of a mounted warrior with a lance beside a horse, and two standing women drawn in loose overlapping lines.

Study for Marphise and the Mistress of Pinabel

c. 1852

Etching of two seated men in period costume talking in a dim room, with a standing woman and a draped curtain.

Weislingen Held Prisoner by Goetz

1821

Lithograph of seven ancient coins with figures, horses, an owl, a bull head and an eagle, with Greek inscriptions.

Sheet of Seven Antique Medals

1825

Lithograph of a queen and a young man in black mourning clothes beside a crowned king in an ornate interior.

The Queen Tries to Console Hamlet (Act I, Scene II)

1834

Lithograph of Hamlet held back by companions as a ghostly figure appears on a terrace above stairs, castle behind.

Hamlet Wishes to Follow the Ghost of his Father (Act I, Scene IV)

1835

Lithograph of an armored knight facing a cloaked man gesturing beside a castle terrace at night, by Eugène Delacroix, 1843.

The Ghost on the Terrace (Act I, Scene V)

1843

Lithograph of an older man with a staff and a younger man holding an open book, in an interior with a chair.

Polonius and Hamlet (Act II, Scene II)

1834/1843

Lithograph of a man gesturing at a carved cabinet while a seated woman in a gown looks down in a dim room.

Hamlet and Ophelia (Act III, Scene I)

1834/1843

Lithograph of three Renaissance-dressed men by a curtain; one holds a flute and another reaches toward him.

Hamlet and Guildenstern (Act III, Scene II)

1834/1843

Lithograph of a armored man with a drawn sword in a doorway, while a kneeling woman in a long gown prays by a column.

Hamlet is Tempted to Kill the King (Act III, Scene III)

1834/1843

Lithograph of a man with a raised sword striking at a curtain while a crowned woman watches behind him.

The Murder of Polonius (Act III, Scene IV)

1834/1843

Lithograph of a young man in dark clothing leaning toward a seated crowned woman in an interior with draped canopy and chair.

Hamlet and the Queen (Act III, Scene IV)

1834

Lithograph of a young man in Elizabethan dress pulling back a curtain beside a sprawled body and a sword on the floor.

Hamlet and the Body of Polonius (Act III, Scene IV)

1835

Lithograph of a kneeling woman with a dark trailing cloth, two onlookers beside a stone column, by Eugène Delacroix, 1834.

The Song of Ophelia (Act IV, Scene V)

1834

Lithograph of two richly dressed men at a graveyard as a gravedigger lifts a skull, with a castle in the distance.

Hamlet and Horatio before the Gravediggers (Act V, Scene I)

1843

Lithograph of two men struggling at a grave edge while gravediggers, a priest with a crucifix, and torchbearers look on.

Hamlet and Laertes in the Grave of Ophelia (Act V, Scene I)

1843

Lithograph of a dying man held by a kneeling companion in an ornate interior, with armed figures and a fallen sword nearby.

The Death of Hamlet (Act V, Scene II)

1843

Lithograph of a crowned, bearded warrior with a decorated shield, sword and helmet at his feet, set among bare trees.

Vercingétorix

1829

Title page of Delacroix's Hamlet lithograph suite, with large capital title, artist name, and Paris publisher imprints.

Hamlet - Laertes in Ophelia's Grave, title page and table of contents from Hamlet

1843