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Eugène Delacroix

487 works

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Painting of a bearded man handing a globe to a woman in a lace ruff, with a boy, armored soldiers and a dog nearby.

Henri IV Conferring the Regency upon Marie de' Medici (after Rubens)

1834

Painting of a wounded nude man tended by a woman and a kneeling attendant pulling an arrow in a rocky landscape.

St. Sebastian with St. Irene and Attendant

1858

Pencil and watercolor sketch of two sailboats with French flags on calm water, by Eugène Delacroix, 1854.

Two Boats at the Harbor of Dieppe

1854

Lithograph of three men consulting over a patient in a bed, with a skeleton seated in the foreground watching.

The Consultation

1820

Etching of two seated women in an interior with a wall niche, one wearing an elaborate headdress and embroidered dress.

Algerian Jewess

1833

Ink drawing of a lioness attacking a sprawled man, with a dropped sandal and loose hatched shading.

Lioness Tearing at the Chest of an Arab

1849

Study of a Horse

c. 1825-30

Left: brown wash drawing of an armored knight on a rearing horse. Right: dark horse standing in a stable doorway.

Armored Figure on Horseback (recto); Horse in Front of a Barn (verso)

c. 1828

Brown wash drawing of an armored knight on a rearing horse, with faint pencil sketches of other figures around it.

Armored Figure on Horseback (recto)

c. 1828

Monk clasping the iron hand of an armored knight beside a table with a helmet, in a dim interior, black and white print.

Brother Martin Clasping the Iron Hand of Goetz

1836

Pen and ink sketch sheet of several Algerian men in turbans and cloaks, showing heads, profiles and standing figures.

Sketches of Algerian Men

c. 1832

Watercolor of two women in a whitewashed interior, one seated in embroidered dress and headdress, one in a yellow headscarf b

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters

1832

Academic study of a standing nude man holding a wooden stick, drawn in brown tones with white highlights on toned paper.

Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)

1816

Lithograph of armored knights on horseback in a field, a foot attendant leading a horse, with sketched faces below.

Weislingen Attacked by Götz's Men

1836

Watercolor of a young woman in a yellow robe beside a clay water jar, with a veiled figure walking in the background.

A Young Black Woman Fetching Water

1832

Print of a muscular blacksmith holding tongs over an anvil in a dark forge, with a figure silhouetted by fire behind him.

The Blacksmith

1833

Grey wash drawing of a kneeling figure beside three pencil studies of faces, by Eugène Delacroix.

Marguerite in the church with studies of the head of Mephistopheles

1826-1827

Watercolor of a chained, turbaned man seated on a rug looking up at a woman holding a lamp in a stone prison cell.

Episode from "The Corsair" by Lord Byron

about 1831

Centaur galloping with a bow while a young archer shoots beside him across a green landscape under a stormy sky.

The Education of Achilles

1862

Ink and wash study of arms and legs of a crucified figure on cream paper, by Eugène Delacroix.

Study of Arms and Legs of Christ Crucified

c. 1850

Monochrome print of a wounded armored knight supported by a companion beside a grey horse, with onlookers under dark trees.

The Wounded Götz Cared for by the Bohemians

1836

Sheet of Sketches

1826

Watercolor of a woman in blue seated beside a fallen armored knight in a forest, with a sword and helmet on the ground.

The Death of Lara

about 1824

Lithograph of Hamlet in black mourning dress between a crowned queen and king, with courtiers in a Gothic hall.

Hamlet and the Queen, plate 1 from Hamlet

1834

Lithograph of Hamlet struggling with two companions while a ghostly figure stands on a stair beside a castle.

Hamlet Pursuing His Father's Ghost, plate 2 from Hamlet

1835

Lithograph of an armored figure and a cloaked man gesturing before castle walls and a tower, dated 1843.

The Ghost on the Platform, plate 3 from Hamlet

1843

Lithograph of two men in an interior, one in a fur-collared cloak with a staff, the other holding an open book.

Polonius and Hamlet, plate 4 from Hamlet

1835-43

Print of a man with a sword gesturing toward a seated woman in a dim interior beside a carved cabinet.

Hamlet and Ophelia, plate 5 from Hamlet

1835-43

Lithograph of three men in Renaissance costume, one offering a flute to another beside a draped curtain, with a caption below

Hamlet and Guildenstern, plate 6 from Hamlet

1835-43

Lithograph of a courtly hall with seated figures watching pantomime players, a swordsman standing at right, by Delacroix.

Hamlet Makes the Players Enact the Poisoning of His Father, plate 7 from Hamlet

1835

Lithograph of a kneeling woman in a gown by a column, and a young armed man with a sword in a doorway.

Hamlet Attempts to Slay the King, plate 8 from Hamlet

1843

Lithograph of a man stabbing a sword into a curtain as a woman in white recoils behind him, from Delacroix's Hamlet series.

The Murder of Polonius, plate 9 from Hamlet

1835-43

Lithograph of Hamlet leaning toward the seated Queen in a draped interior, with a French caption below.

Hamlet and the Queen, plate 10 from Hamlet

1834

Lithograph of a young man in dark costume pulling back a curtain beside a slumped body and a sword on the floor.

Hamlet and the Body of Polonius, plate 11 from Hamlet

1835

Lithograph of a kneeling woman with a dark cloth beside a stone column, two figures watching in a dim arched hall.

Ophelia's Song, plate 12 from Hamlet

1834

Lithograph of a woman's body floating in a river, one arm raised toward overhanging trees, garments spread on the water.

Ophelia's Death, plate 13 from Hamlet

1843

Lithograph of Hamlet and Horatio beside gravediggers, one holding up a skull, with a castle on the distant hill.

Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet

1843

Print of two men struggling at a grave while mourners and a priest with a crucifix look on, with a book in the foreground.

Hamlet and Laertes in Ophelia's Grave, plate 15 from Hamlet

1843

Lithograph of a dying man supported by a companion in an arched hall, with courtiers and a fallen sword nearby.

Hamlet's Death, plate 16 from Hamlet

1843

Pencil sketch of a centaur drawing a bow with a young rider seated on its back, on tan paper.

The Education of Achilles

about 1844

Lithograph of four ancient coins showing a standing hero, a seated figure, a bull, and a laureate head.

Sheet of Four Antique Medals

1825

Graphite sketch of two seated women in loose garments and headscarves on a tan sheet, by Eugène Delacroix.

Women of Algiers

1833

Graphite portrait drawing of a child with shoulder-length hair, head turned slightly, on light paper.

Portrait of a Child

1798

Watercolor of a striped tiger resting on grassy ground with blue mountains behind it.

Tiger

c. 1830

Lithograph of a young tiger playing with its mother in a shaded grassy landscape, rendered in soft gray tones.

Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère)

1831

Studies of a Horse in Profile

1823-30

Brown ink and wash study of reclining and falling figures with draped limbs and small figures among clouds.

Study of Bodies "Liberty Leading the People"

1830

Brown wash drawing of two standing men and a crouched figure beside a skull in a graveyard setting.

Hamlet and Horatio in the Graveyard

1827-28

Graphite study of a muscular male nude turning upward, one arm extended, draped at the hips beside a stone ledge.

Study of a Male Nude Study for "The Death of Seneca"

1838-40

Print of a bearded man writing at a table as a woman watches, with armor and a helmet hanging on the wall behind them.

Scene from Goethe's 'Götz' (Götz von Berlichingen Writing his Memoirs)

1836-63

Etching of two seated men in robes and turbans on a dry hillside, one reclining beside a rifle, with distant riders.

Arabs of Oran

1833

Watercolor sketches of four men in white robes and dark cloaks, one wearing a red fez, on a tan paper ground.

Four Sketches of Arab Men

1832

Etching of a tiger lying on sparse desert ground with rolling hills behind it, by Eugène Delacroix.

Tiger Resting in the Desert

1846

Watercolor of a old stone arched bridge over a calm river, with a small boat, poplar trees and a cloudy sky.

The Old Bridge at Mantes

c. 1827

Pencil study of a nude male figure seen from behind with an outstretched arm, plus a separate foot study on yellowed paper.

Allegory of Love: Infidelity

n.d.

Pencil sketch of two figures in period dress embracing in an interior with a column and draped curtains.

Study

1836/1843

Watercolor and pencil sketches of lion heads and paws on a stained cream sheet, with a red monogram in the corner.

Heads and Paws of Lions

n.d.

Pen and watercolor sketch sheet of tigers and lions in various poses, with faint pencil studies of men in period costume.

Sketches of Tigers and Men in 16th Century Costume

1828-29

Black-and-white lithograph of a pale ghostly woman rising before a startled man, with serpents and demons in a dark cave.

Marguerite's Ghost Appearing to Faust, from Johann Wolfgang von Goethe's Faust

1827

Lithograph of a man with a drawn sword stabbing at a curtain as a crowned woman watches behind him.

The Murder of Polonius (Act. III, Sc. III), from Shakespeare's Hamlet

1834

Lithograph of a kneeling woman in a dark church as a man points upward and onlookers gather behind her.

Marguerite in Church, from Johann Wolfgang von Goethe's Faust

1827

Pencil sketch of nude male figures, a rearing horse, dog heads and limb studies on pale paper.

Studies of Figures, Horses and Dogs

Lithograph of a seated woman beside a spinning wheel in a dim room, with a candle and bottles on a shelf above.

Marguerite au rouet (Marguerite at Her Spinning Wheel), illustration to Johann Wolfgang von Goethe's Faust

1827

Pencil sketch of several flowering plant sprigs with fan-shaped leaves and upright flower spikes on cream paper.

Study sheet with small plants: white chestnut

1853