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Eugène Delacroix

518 works

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Watercolor of two women in a whitewashed interior, one seated in embroidered dress and headdress, one in a yellow headscarf b

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters

1832

Academic study of a standing nude man holding a wooden stick, drawn in brown tones with white highlights on toned paper.

Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)

1816

Lithograph of armored knights on horseback in a field, a foot attendant leading a horse, with sketched faces below.

Weislingen Attacked by Götz's Men

1836

Watercolor of a young woman in a yellow robe beside a clay water jar, with a veiled figure walking in the background.

A Young Black Woman Fetching Water

1832

Print of a muscular blacksmith holding tongs over an anvil in a dark forge, with a figure silhouetted by fire behind him.

The Blacksmith

1833

Watercolor of a chained, turbaned man seated on a rug looking up at a woman holding a lamp in a stone prison cell.

Episode from "The Corsair" by Lord Byron

about 1831

Monochrome print of a wounded armored knight supported by a companion beside a grey horse, with onlookers under dark trees.

The Wounded Götz Cared for by the Bohemians

1836

Lithograph of Hamlet in black mourning dress between a crowned queen and king, with courtiers in a Gothic hall.

Hamlet and the Queen, plate 1 from Hamlet

1834

Lithograph of Hamlet struggling with two companions while a ghostly figure stands on a stair beside a castle.

Hamlet Pursuing His Father's Ghost, plate 2 from Hamlet

1835

Lithograph of an armored figure and a cloaked man gesturing before castle walls and a tower, dated 1843.

The Ghost on the Platform, plate 3 from Hamlet

1843

Lithograph of two men in an interior, one in a fur-collared cloak with a staff, the other holding an open book.

Polonius and Hamlet, plate 4 from Hamlet

1835-43

Print of a man with a sword gesturing toward a seated woman in a dim interior beside a carved cabinet.

Hamlet and Ophelia, plate 5 from Hamlet

1835-43

Lithograph of three men in Renaissance costume, one offering a flute to another beside a draped curtain, with a caption below

Hamlet and Guildenstern, plate 6 from Hamlet

1835-43

Lithograph of a kneeling woman in a gown by a column, and a young armed man with a sword in a doorway.

Hamlet Attempts to Slay the King, plate 8 from Hamlet

1843

Lithograph of a man stabbing a sword into a curtain as a woman in white recoils behind him, from Delacroix's Hamlet series.

The Murder of Polonius, plate 9 from Hamlet

1835-43

Lithograph of Hamlet leaning toward the seated Queen in a draped interior, with a French caption below.

Hamlet and the Queen, plate 10 from Hamlet

1834

Lithograph of a young man in dark costume pulling back a curtain beside a slumped body and a sword on the floor.

Hamlet and the Body of Polonius, plate 11 from Hamlet

1835

Lithograph of a kneeling woman with a dark cloth beside a stone column, two figures watching in a dim arched hall.

Ophelia's Song, plate 12 from Hamlet

1834

Lithograph of Hamlet and Horatio beside gravediggers, one holding up a skull, with a castle on the distant hill.

Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet

1843

Print of two men struggling at a grave while mourners and a priest with a crucifix look on, with a book in the foreground.

Hamlet and Laertes in Ophelia's Grave, plate 15 from Hamlet

1843

Lithograph of a dying man supported by a companion in an arched hall, with courtiers and a fallen sword nearby.

Hamlet's Death, plate 16 from Hamlet

1843

Pencil sketch of a centaur drawing a bow with a young rider seated on its back, on tan paper.

The Education of Achilles

about 1844

Brown wash drawing of two standing men and a crouched figure beside a skull in a graveyard setting.

Hamlet and Horatio in the Graveyard

1827-28

Graphite study of a muscular male nude turning upward, one arm extended, draped at the hips beside a stone ledge.

Study of a Male Nude Study for "The Death of Seneca"

1838-40

Print of a bearded man writing at a table as a woman watches, with armor and a helmet hanging on the wall behind them.

Scene from Goethe's 'Götz' (Götz von Berlichingen Writing his Memoirs)

1836-63

Pencil sketch of two figures in period dress embracing in an interior with a column and draped curtains.

Study

1836/1843

Watercolor and pencil sketches of lion heads and paws on a stained cream sheet, with a red monogram in the corner.

Heads and Paws of Lions

n.d.

Lithograph of a man with a drawn sword stabbing at a curtain as a crowned woman watches behind him.

The Murder of Polonius (Act. III, Sc. III), from Shakespeare's Hamlet

1834

Lithograph of a kneeling woman in a dark church as a man points upward and onlookers gather behind her.

Marguerite in Church, from Johann Wolfgang von Goethe's Faust

1827

Lithograph of a seated woman beside a spinning wheel in a dim room, with a candle and bottles on a shelf above.

Marguerite au rouet (Marguerite at Her Spinning Wheel), illustration to Johann Wolfgang von Goethe's Faust

1827

Pencil sketch of a branching tree and low leafy plants on cream paper, with handwritten notes in the lower corner.

Study sheet with pink chestnut

1853

Pen and ink study of an old hooded woman leaning on a staff, with smaller head studies and faint pencil figures around her.

Studies of an old woman leaning on a stick

1808

Sketch of a snarling lion standing with lowered head, bristling mane and curled tail on pale paper.

Standing Lion

1833

Watercolor of a turbaned rider on a pale horse with red harness on a sandy path under a cloudy sky.

The Turkish Rider

c. 1834

Pencil sketch sheet with studies of two crouching lions and several leaping animals in loose hatched lines.

Studies of Animals

1810-63

Graphite sheet with sketches of a reclining draped figure and a smaller seated figure, by Eugène Delacroix.

Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?)

Pencil sketches of horses in various poses, including rearing and galloping figures, on pale paper.

Studies of Horses

Graphite study of a hooded rider on horseback leading robed attendants and a crowd before a city wall, with a parasol overhea

Study for "The Sultan of Morocco and His Entourage"

1845

Watercolor of a bearded man in a blue doublet and red breeches writing with a quill at a desk in an interior.

Mathurin Régnier

ca. 1846

Pencil and watercolor sketch of a standing woman in a turban and draped Moroccan-style costume, one arm extended.

Standing Woman in Moroccan Costume

ca. 1834

Pen sketch sheet with a marriage procession of riders and a canopied carriage, a trophy of arms, and a winged rider on a hors

Sheet of Studies: A Marriage Procession in Sixteenth-Century Dress; a Cavalier; and a Trophy of Arms

1798-1863

Graphite sketch of a lion grappling with a tiger on rocky ground beside ferns.

A Lion and a Tiger, Fighting

ca. 1854

Pen and brown ink drawing of nude men in combat, one raising a sword over a fallen figure, with figure studies around.

Combat of Nude Men, after Raphael

ca. 1823

Watercolor of a knight in armor being dressed by a young page in blue, beside a helmet on a red cushion.

Goetz von Berlichingen Being Dressed in Armor by His Page George

1826-27

Ink sketch of a bridled horse in three-quarter view with a saddle and plumed harness on toned paper.

Goetz van Berlichingen's Horse

1842

Brown wash drawing of a tomb with a carved figure in a church interior, with Gothic window tracery studies below.

A Tomb and Studies of Windows in the Church of Valmont Abbey (recto); Four Studies of Horses (verso)

1829-31

Pencil and blue wash sketch of an armored rider on a white horse beside a young attendant, with sketched figure studies behin

The Wounded Goetz von Berlichingen Takes Refuge in a Gypsy Camp

ca. 1836

Brown wash drawing of a church interior with shadowed pointed arches, lit gothic windows, and stone columns.

Interior of the Church of Valmont Abbey

1829-31

Lithograph of Macbeth in plaid dress facing three witches who gesture over a bubbling cauldron in a dark, smoky setting.

Macbeth Consulting the Witches

1825

Lithograph bust portrait of a young man in dark jacket and white cravat against hatched dark background, with Latin inscripti

Baron Schwiter (Louis Auguste Schwiter, 1805-1889)

1826

Lithograph of Faust offering his arm to Marguerite on a medieval street, with Mephistopheles walking behind them.

Faust Trying to Seduce Marguerite (Goethe, Faust)

1825-27

Lithograph of three figures seated and standing around a draped table in a dark interior, one with a plumed hat and cloak.

Mephistopheles presents himself to Martha (Goethe, Faust)

1825-27

Lithograph study of seven ancient Greek coins showing figures, horses, a helmeted head, an eagle and a bull.

Studies of Seven Greek Coins

1825

Monochrome print of a blacksmith with tongs at an anvil in a dark forge, a figure glowing faintly behind him.

A Blacksmith

1833 or earlier

Lithograph of a woman with a sword fleeing down stone steps past an armored soldier, with a second woman at right holding her

The Sister of Duguesclin

1829

Lithograph of a woman with a sword rushing toward soldiers in a dim stone corridor lit by a torch, by Eugène Delacroix, 1829.

Duguesclin's Sister

1829

Etching of a seated woman in an embroidered dress and headdress holding hands with a companion in a tiled interior room.

A Jewish Bride in Tangier

1833

Lithograph of two men on a rocky mountain path, one grasping a snake, with snowy peaks and a dark sky behind them.

Faust and Mephistopheles in the Hartz Mountains, from Goethe's "Faust"

1825-27

Lithograph of a wild horse rearing with flowing mane against a dark hatched background, signed and dated 1828.

Wild Horse

1828

Lithograph of a young man in dark costume leaning toward a seated queen in a crown and white headdress, in a draped interior.

Hamlet and the Queen

1834

Lithograph of a tragic death scene in a palace interior, with a dying man supported by another and a sword on the floor.

The Death of Hamlet

1843

Lithograph of a bearded man writing at a table as a woman watches, with armor and a helmet in a dim room behind them.

Goetz von Berlichingen Writing His Memoirs

1836-43

Grey lithograph of a wounded armored knight held up by a companion beside a white horse, with onlookers and trees behind.

The Wounded Goetz Taken in by the Gypsies

1836-43

Etching of Christ with a crown of thorns, hands bound, holding a reed, against a hatched dark background.

Ecce Homo (Christ with the Reed)

1833