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Édouard Manet

364 works

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Black and white print of three figures leaning over a balcony rail, two wearing hats, against a dark background.

In Paradise (In the Balcony)

Sketch of horse riders on a racetrack with a crowd of spectators along the fence and a city skyline behind.

The Races (Les courses)

1865

Etching of a dead toreador lying on the ground in a dark jacket and white stockings, with a cape beside him.

Torero mort (Dead Toreador)

1868

Etching of a dragonfly with dark shaded wings and a long segmented body on cream paper.

Dragonfly, plate 1 from Le Fleuve

1874

Etching of a mountain peak surrounded by dense hatched lines depicting sky and rolling hills.

The Mountain, plate 2 from Le Fleuve

1874

Etching of two upright rock formations on a flat landscape with hills in the distance, drawn in loose hatched lines.

The High Valley, plate 3 from Le Fleuve

1874

Etching of a flat river landscape with horizontal water strokes, reeds in the foreground, and a distant tree line under a sti

The River in the Plain, plate 4 from Le Fleuve

1874

Etching of figures in bonnets and a top hat behind a stone parapet, with horizontal hatched sky and a river below.

The Parapet of the Bridge, plate 5 from Le Fleuve

1874

Etching of a man in a hat by a river, seen through a bridge arch toward a city skyline with a church spire.

The Arch of the Bridge, plate 6 from Le Fleuve

1874

Loose etching of boats with masts and sails on choppy sea, with seagulls flying overhead.

The Sea, plate 7 from Le Fleuve

1874

Etching of two swallows in dark flight over rippling water lines, drawn with loose hatched strokes on pale paper.

Swallows, plate 8 from Le Fleuve

1874

Black ink print of a raven in flight with outstretched wings above the words 'ex libris' on cream paper.

Flying Raven: ex libris, from The Raven (Le Corbeau)

1875

Black and white lithograph of a firing squad of soldiers aiming rifles at a group of figures in front of a dark wall, with sm

Death of Maximilian at Queretaro (L'executionde Maximilien)

1867

Black ink print of a raven in flight with spread wings and extended talons on a cream paper sheet.

The Flying Raven, Ex Libris for "The Raven" by Edgar Allan Poe

1875

Lithograph of a man reading at a lamplit desk in a dark room, with a chair at left and loose black hatching.

Once Upon a Midnight Dreary, from "The Raven" by Edgar Allan Poe

1875

Etching of three cats: a dark cat seen from behind, a cat curled under a chair, and a cat lying with its tail extended.

Cats

1868-69

Etching of a reclining nude woman on a bed, with a servant holding flowers and a black cat beside her.

Olympia (small plate)

1867

Etching of a reclining nude woman on a bed, looking at the viewer, with a servant holding flowers and a cat nearby.

Olympia (large plate)

January-May 1867

Etching of a group of cavaliers in wide-brimmed hats and cloaks walking across an open ground with walking sticks.

The Little Cavaliers, after "Velázquez"

1861-62

Etching of a man in dark costume and white stockings lying dead on the ground, with dense hatched shading.

Dead Toreador

1867-68

Black and white print of three people leaning on a balcony rail, a boy in a cap, a man in a hat, and a woman.

In the Upper Gallery (Au Paradis)

1877

Lithograph of a firing squad of soldiers aiming rifles at figures in a dark setting, with smoke rising at left.

The Execution of Maximilian

1868, published in 1884

Etching of sailing boats on rough sea under clouds, with small figures in the foreground water.

Marine. Plate 17 from the series: Trente Eaux-fortes

1864

Etching of a reclining nude woman on a bed, a servant holding flowers behind her, and a black cat at right.

Olympia

1867

Etching of three cats: a dark cat seated at left, a cat under a wooden chair at upper right, and a curled cat below.

The Cats (Les chats)

1869

Black-and-white print of a crowded café with seated patrons, a standing waiter in a white apron, and hanging hats and coats.

At the Café

1874

Brown ink sketch of a seated couple at a restaurant table, with other diners and a wooden partition behind them.

The Railway Restaurant

1879

Letter by Edouard Manet with a watercolor of two apples casting soft shadows, handwritten in French ink.

A Letter to Eugène Maus, Decorated with Two Apples

August 2, 1880

Dark lithograph of a man seated at a desk under a lamp, writing among scattered papers in a shadowy room.

Sous la lampe (Under the Lamp), from Stéphane Mallarmé's translation of Edgar Allan Poe's The Raven

1875

Brown ink sketch of a city street with a gas lamp, a railing, pedestrians in top hats, and a cart at upper right.

The rue Mosnier with Gas Lamp

1878

Etching of three cats: a dark cat lying at left, a cat under a chair at upper right, and a curled cat at lower right.

The Cats

1868-69

Line engraving of Olympia: a reclining nude woman on a bed, a servant with flowers at left, and a black cat.

Olympia

1902

Etching of a group of men in plumed hats and lace collars walking across an open shadowed landscape.

The Little Cavaliers

1860

Loose black ink and ochre sketch of a reclining nude woman with a black cat beside her on a bed.

Olympia

1923

Ink and wash drawing of a green cucumber with grey leaves, a yellow blossom and curling tendrils on paper.

Cucumber with Leaves

c. 1880

Black and white lithograph of two boys and a woman leaning over a theater balcony rail in a dark interior.

In the Upper Gallery

1877

Etching of a group of men in plumed hats, lace collars and swords walking across an open, hatched landscape.

The Little Cavaliers

1867/74

Lithograph of a firing squad of soldiers aiming rifles at men against a dark wall, with smoke rising from the shots.

The Execution of Maximilian

1867-68

Black and white lithograph of a man reading at a desk under a lamp in a dark room, with papers and a chair nearby.

Under the Lamp, from Stéphane Mallarmé's translation of Edgar Allan Poe's The Raven

1875